Cosmo's Factory

Cosmo's Factory displays the wide range of musical ingredients that provided the foundation for their "swamp rock" sound: R&B ("Before You Accuse Me", "My Baby Left Me"), soul ("I Heard It Through the Grapevine", "Long As I Can See the Light"), country ("Lookin' Out My Back Door"), rockabilly and classic rock and roll ("Ooby Dooby", "Travelin' Band"), and psychedelia ("Ramble Tamble"). "Travelin' Band" was inspired by 1950s rock 'n' roll songs, particularly those by Little Richard. In October 1972, the company that held the publishing rights to Richard's "Good Golly, Miss Molly" felt "Travelin' Band" bore enough similarities to warrant a plagiarism lawsuit that was later settled out of court. The song's flip side, "Who'll Stop the Rain", could not have been more different, with Fogerty telling Uncut in 2012: "'Travelin' Band' was my salute to Little Richard, but 'Who'll Stop The Rain?' was part of the fabric of the times. From '68 to '74, Vietnam was probably the most important thing on the minds of young people." "Run Through the Jungle" mined similar territory, with many listeners believing the lyrics to be about the war (although the song was actually about the prevalence of guns in the United States). According to the band's bassist Stu Cook, the song's opening and closing both feature jungle sound effects created by "lots of backwards recorded guitar and piano." The song was rhythm guitarist Tom Fogerty's favorite CCR song: "My all-time favorite Creedence tune was 'Run Through the Jungle'. It's like a little movie in itself with all the sound effects. It never changes key, but it holds your interest the whole time. It's like a musician's dream. It never changes key, yet you get the illusion it does."

The name of the album comes from the warehouse in Berkeley where the band rehearsed early in their career, which was dubbed "The Factory" by drummer Doug "Cosmo" Clifford, because bandleader John Fogerty made them practice there almost every day. In 2013, Clifford recalled to Goldmine that "John knew the press would be all over us for the album, so he said that he would name the album after me and that I would have to deal with it. He wanted the pressure off of him. It was our biggest album ever and I tell people that they named it after me, so it had to be a hit [laughter]. That's a joke!" The cover photo was taken by Bob Fogerty, brother of John and Tom. As David Cavanagh of Uncut wrote in 2012: "The album's front cover showed the four of them caught by a camera in an off-duty moment, a proudly uncool quartet who looked more like lumberjacks than rock stars." The handwritten sign affixed to the support post at the left of the photo that reads "3RD GENERATION" is an ironic reference to something rock music critic Ralph Gleason wrote in the liner notes of the band's debut album: "Creedence Clearwater Revival is an excellent example of the Third Generation of San Francisco bands".

In its original review, Rolling Stone wrote: "It should be obvious by now that Creedence Clearwater Revival is one great rock and roll band. Cosmo's Factory, the group's fifth album, is another good reason why." AllMusic rates the album 5 out of 5 stars: "On 'Long as I Can See the Light', the record's final song, he again finds solace in home, anchored by a soulful, laid-back groove. It hits a comforting, elegiac note, the perfect way to draw Cosmo's Factory – an album made during stress and chaos, filled with raging rockers, covers, and intense jams – to a close."

In January 1970, the double A-sided "Travelin' Band"/"Who'll Stop the Rain" single peaked at number two on the Billboard Hot 100 chart. In April, the band released the double A-sided "Up Around the Bend"/"Run Through the Jungle" single, which reached number four on the Hot 100, and started their first tour of Europe. Cosmo's Factory was released in July 1970, as was the band's ninth single, "Lookin' Out My Back Door"/"Long as I Can See the Light", which reached number two on the Hot 100. Cosmo's Factory was CCR's fifth album in two years to became an international success, topping the album charts in six countries. The album was certified gold (500,000 units sold) by the Recording Industry Association of America on December 16, 1970. Almost 20 years later, on December 13, 1990, it received a certification of four times platinum, indicating sales of over four million copies.

All tracks are written by John Fogerty, except where noted.

^ Shipments figures based on certification alone.‡ Sales+streaming figures based on certification alone.