Balarama
Balarama is a Hindu god, and the elder brother of Krishna. He is particularly significant in the Jagannath tradition, as one of the triad deities. He is also known as Haladhara, Halayudha, Baladeva, Balabhadra, and Sankarshana.
Balarama is an ancient deity, a prominent one by the epics era of Indian history as evidenced by archeological and numismatic evidence. His iconography appears with Nāga (many-headed serpent), a plough and other farm artifacts such as a watering pot, possibly indicating his origins in a bucolic, agricultural culture.
Texts
Narratives of Balarama are found in Mahabharata, Harivamsha, Bhagavata Purana, and other Puranas. He is identified with the vyuha avatar of Sankarshana, along with the deities of Shesha and Lakshmana. The legend of Balarama as the avatar of Shesha, the demigod-serpent Vishnu rests upon, reflects his role and association with Vishnu. However, Balarama's mythology and his association with the ten avatars of Vishnu is relatively younger and post-Vedic, because it is not found in the Vedic texts. Balarama's legend appears in many Parva (books) of the Mahabharata. Book Three (Vana Parva) states about Krishna and him that Balarama is an avatar of Vishnu, while Krishna is the source of all avatars and existence. In some art works of the Vijayanagara Empire, temples of Gujarat and elsewhere, for example, Baladeva is the eighth avatar of Vishnu, prior to the Buddha (Buddhism) or Arihant (Jainism).
Archeology, coins, arts, and epigraphy
Balarama was anciently a powerful local deity named Samkarshana, associated with the local cult of the Vrishni heroes in Mathura from around the 4th century BCE. The concept of the avatars of Vishnu formed during the Kushan period in the 3rd to 2nd century CE. Coins dated to about 185-170 BCE belonging to the Indo-Greek King Agathocles show Balarama's iconography and Greek inscriptions. Balarama-Samkarshana is typically shown standing with a gada in his right hand and holding a plough in his left. On the other side of these coins is Vāsudeva-Krishna holding the conch and chakra. At Chilas II archeological site dated to the first half of 1st-century CE in northwest Pakistan, near Afghanistan border, are engraved two males along with many Buddhist images nearby. The larger of the two males hold a plough and club in his two hands. The artwork also has an inscription with it in Kharosthi script, which has been deciphered by scholars as Rama-Krsna, and interpreted as an ancient depiction of the two brothers Balarama and Krishna. The early Balarama images found in Jansuti (Mathura, Uttar Pradesh) and two at Tumain (Ashoknagar, Madhya Pradesh) are dated to 2nd/1st-century BCE and these show Balarama holding a Hala (plough) and a musala (pestle) in his two hands.
Balarama was the son of Vasudeva. The evil king Kamsa, the tyrant of Mathura, was intent upon killing the children of his cousin, Devaki, because of a prophecy that he would die at the hands of her eighth child. The Harivamsha states that Kamsa went on to murder the first six children of the imprisoned Devaki by smashing the newborns against a stone floor. When Balarama was conceived, Vishnu intervened, state the Hindu legends; his embryo was transferred from Devaki's womb into the womb of Rohini, Vasudeva's first wife. In some texts, this transfer gives Balarama the epithet Sankarshana (one who was dragged away). Balarama grew up with his younger brother Krishna with his foster-parents, in the household of the head of cowherds Nanda, and his wife, Yashoda. The chapter 10 of the Bhagavata Purana describes it as follows: The Bhagavan as the Self of everything tells the creative power of His unified consciousness (yogamaya) about His plan for His own birth as Balarama and Krishna. He begins with Balarama. The whole of Shesha, which is my abode, will become an embryo in Devaki's womb which you shall transplant to Rohini's womb.
Childhood and marriage
One day, Nanda requested the presence of Sage Gargamuni, his priest, to name the newborn Krishna and Balarama. When the Garga arrived, Nanda received him well and requested the naming ceremony. Gargamuni then reminded Nanda that Kamsa was looking for the son of Devaki and if he performed the ceremony in opulence, it would come to his attention. Nanda, therefore, asked Garga to perform the ceremony in secret and Garga did so: Because Balarama, the son of Rohini, increases the transcendental bliss of others, his name is Rama and because of his extraordinary strength, he is called Baladeva. He attracts the Yadus to follow his instructions and therefore his name is Sankarshana.
Kurukshetra War
Balarama taught both Duryodhana of the Kauravas and Bhima of the Pandavas the art of war with a mace. When war broke between the Kauravas and the Pandavas, Balarama carried obligations for both sides and so remained neutral. He went for a pilgrimage with his nephew Pradyumna and other Yadavas during the war, and returned on the last day, to watch the fight between his disciples. When Bhima defeated Duryodhana by striking him in the thigh with his mace, a traditional violation of the rules of combat, Balarama threatened to kill Bhima. This was prevented when Krishna reminded Balarama of Bhima's vow—to kill Duryodhana by crushing the thigh he had exposed to Bhima's wife, Draupadi.
Disappearance
In the Bhagavata Purana, it is described that after Balarama took part in the battle causing the destruction of the remainder of the Yadu dynasty and witnessing the disappearance of Krishna, he sat down in a meditative state and departed from this world. Some scriptures describe a great white snake that left the mouth of Balarama, in reference to his identity as Ananta-Sesha, a form of Vishnu. The place where he departed is situated near Somnath Temple in Gujarat. The local people of Veraval believe about the cave near the temple place, that the white snake who came out of Balarama's mouth got into that cave and went back to Patala.
Significance
In Hindu tradition, Balarama is depicted as a farmer's patron deity, signifying the one who is "harbinger of knowledge", of agricultural tools and prosperity. He is almost always shown and described with Krishna, such as in the act of stealing butter, playing childhood pranks, complaining to Yashoda that his baby brother Krishna had eaten dirt, playing in cow sheds, studying together at the school of guru Sandipani, and fighting malevolent beasts sent by Kamsa to kill the two brothers. He is the constant companion of Krishna, ever watchful, leading to the epithet "Luk Luk Dauji" (or Luk Luk Daubaba) in the Pustimarga tradition of Vaishnavism. In the classical Tamil work Akananuru, Krishna hides from Balarama when he steals the clothes of the milkmaids while they bathe, suggesting his brother's vigilance. He is a creative store of knowledge for the agriculturists: the knowledge that dug a water channel to bring Yamuna water to Vrindavan; that restored groves, farms and forests; that produced goods and drinks.
Balarama is depicted as light-skinned, in contrast to his brother, Krishna, who is dark-skinned; Krishna in Sanskrit means dark. His ayudha or weapons are the plough hala and the mace gadā. The plough is usually called Balachita. He often wears blue garments and a garland of forest flowers. His hair is tied in a topknot and he has earrings, bracelets and armlets; he is known for his strength, the reason for his name; Bala means strength in Sanskrit. In the Jagannath tradition, one particularly popular in eastern and central regions of India, he is more often called Balabhadra. Balarama is one in the triad, wherein Balarama is shown together with his brother Jagannath (Krishna) and sister Subhadra (Subhadra). Jagannath is identifiable from his circular eyes compared to an oval of Shubhadra and almond-shaped eyes of the abstract icon for Balarama. Further, Balarama's face is white, Jagannath's icon is dark, and Subhadra icon is yellow. The third difference is the flat head of Jagannath icon, compared to the semi-circular carved head of abstract Balarama. The shape of Balabhadra's head, also called Balarama or Baladeva in these regions, varies in some temples between somewhat flat and semi-circular.
Jainism
The Jain Puranas, notably, the Triṣaṣṭiśalākāpuruṣacarita of Hemachandra, narrate hagiographical accounts of nine Baladevas or Balabhadras who are believed to be śalākāpuruṣas (literally torch-bearers, great personalities). Balarama was the ninth one. Balarama along with Krishna are considered as cousins of the revered Tirthankara Neminatha (Aristanemi) by Jains. The Jainism tradition lists 63 Śalākāpuruṣa or notable figures which, amongst others, includes the twenty-four Tirthankaras and nine sets of triads. One of these triads is Krishna as the Vasudeva, Balarama as the Baladeva, and Jarasandha as the Prati-Vasudeva. In each age of the Jain cyclic time is born a Vasudeva with an elder brother termed the Baladeva. Between the triads, Baladeva upholds the principle of non-violence, a central idea of Jainism. The villain is the Prati-vasudeva, who attempts to destroy the world. To save the world, Vasudeva-Krishna has to forsake the non-violence principle and kill the Prati-Vasudeva. The stories of these triads can be found in the Harivamsa Purana (8th century CE) of Jinasena (not be confused with its namesake, the addendum to Mahābhārata) and the Trishashti-shalakapurusha-charita of Hemachandra.
Buddhism
Balarama images have been discovered in central Indian Buddhist sites, such as with Sanchi stupas at Andher, Mehgaon and Chandna. These are dated to around the start of the common era.
